There are loads of adapters out there to help you adapt old lenses to newer cameras, and this should give you a great deal of freedom with how you use your vintage lenses. Helios 44M-4 - Swirly BOKEH monster - YouTube 0:00 / 7:41 Start Helios 44M-4 - Swirly BOKEH monster Pav SZ 23.8K subscribers Subscribe 1. Remember, however, that since with vintage lenses you’re pretty much guaranteed to be using manual focus, you have much more freedom with mount adapting. These lenses are available for various mounts, and we’ve tried to include a broad range of mount options. This guide is designed to give you a starting point to work from. So if you see an interesting-looking vintage lens available for a good price, go ahead and take the plunge. This lens design was one of the first portrait lenses and is. You’re searching for something that’ll give your images a distinct character, rather than the ultimate in sharpness. SWRLY is a modern take on the original swirly lens, the Petzval, created in 1840 by Josef Petzval. Think of it like our guide to the best retro cameras (opens in new tab), where we’ve picked out the best digital cameras with a vintage design.īut the main thing you should remember is that with vintage lenses, you aren’t looking for perfection. Summitars were Leica fast lenses from the 1940s and 50s that had a ferocious 'swirly bokeh', and as alluded to above, some people use them in part to exploit that effect.9.6k Posted Ap Holly, your last photo is very nice.This is in order to try and give you as many options as we can that are actually possible to find, afford and use. We’ve included a mix of genuine vintage lenses and newer lenses that are designed to provide an avowedly retro experience. Best darkroom equipment (opens in new tab). If so let me know what lens(es) you have in the comments below as I’m looking to try out even more. Have you ever mounted older lenses with your DLSR camera? The glass creates very unique images and I can’t wait to pick up my next one. I’ve had such a great time with this lens that I’m going to purchase more manual focus primes. The first of many manual focus prime lenses Even at very small apertures, it tops out at f/16, the lens puts out beautiful images. The Helios 44-2 lens is fast with the f/2 aperture, weighs next to nothing, and was incredibly inexpensive at less than $50 including shipping. I’m really in love with this Helios 44-2 lens. danialcamera From shop danialcamera 167.41. Success! Apparently you need a pretty good distance in the background so the little light spots and details can register into that swirl shape. Mir 1B 37mm 2.8 wide lens, MS Volna-3 80mm 2.8 Russian medium format lens, Zenitar-M 50 1.9 portrait Russian lens with swirly bokeh, ad vertisement by danialcamera. After heavy use, it's become part of my Fuji holy trinity of budget lenses, joining the Rokinon 12mm f/2 and the Fujinon XF 35mm f/1.4. I haven't found the dreamy, hazy look of this lens anywhere else. I aimed up at a birdhouse about 8 feet away, which conveniently had a cute little toad in the lower peep hole and took the shot. The Helios 44-4 isn't a gimmick lens, and it isn't just about the swirly bokeh. It seems that you need some decent distance from your subject, and you need some background that can fall into swirly bokeh in the distance. Meet the Helios 44-2 58mm f/2 LensĬan you start to see the swirl shape in the background? This photo showed me I’m getting closer. Well, this “defect” looked really cool to me and I wanted to incorporate it into my lens collection. I did some quick digging and found out this was called “swirly bokeh” and certain vintage lenses created this effect through a manufacturing defect. It was awesome and unlike anything I had ever seen! It was initially promoted as an available-light lens for sport shooting, reportage, and theatre photography. I was looking through photos on Flickr and noticed a few images in which the bokeh appeared to be swirling in a circular pattern. The Carl Zeiss Jena Biotar 75mm F/1.5 was introduced in 1939 in a manual aperture model for cinematography, then released as a 35mm format lens for the famed Kine Exacta or Night Exacta. I really enjoy having big apertures available for low light so I started looking for another prime lens. It’s a great lens but after taking it out a few times, I concluded it wasn’t for me. The 24-70mm and adapter are super heavy and ridiculously front-heavy. The 55mm shoots like a dream and is insanely light-weight. Have you heard of swirly bokeh Let me show you the lens that makes this beautiful bokeh happen, and how to. I started off with a Sony 55mm f/1.8 and a 24-70mm f/2.8 lens that requires a Sony adapter. Creating swirly bokeh with the Helios 44-2 lens. You can see how I used it in my last article: when to trick your camera for the perfect exposure. A friend convinced me that having small-form, full frame camera would be an entire different way of shooting. I recently bought a Sony A7 to compliment my Canon 6D DSLR.
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